Selection
A chair with a way back.
A familiar café chair makes a larger point: lasting value needs a practical route back into use.
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Image: © Hiroshi Sugimoto / Object © Christian Dior Couture collection, Paris (opens source in a new tab)
Image: Baba Tree Master Weavers × Álvaro Catalán de Ocón / LOEWE Foundation (opens source in a new tab)
THE WHV WORLD
Art & Design
A point of view, made tangible.
Our perspective on Art & Design
THE QUESTION WE BRING
How do authorship, edition, condition and cultural context support the work?
OUR FIELD OF VIEW
- Art and artist editions
- Collectible furniture
- Studio ceramics
Each selection begins with a specific subject, a reason to care and evidence worth examining.
In view.
Discovery
The geometry you can hold.
Temari turns a small sphere into a complex field of stitched geometry. In the Sanuki tradition, the materials beneath the pattern are part of the achievement.
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Discovery
The picture inside the wood.
Tunbridge ware builds images from small pieces of wood rather than painting them onto a surface. A nineteenth-century watch box turns that technique into something unexpectedly useful.
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Discovery
The pieces become the composition.
Jogakbo turns joined pieces of cloth into a deliberate arrangement of colour and seams. Kang Keum Seong’s documented work shows how that language can enter everyday objects.
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Discovery
She built the flower from paper.
Mary Delany’s Botanical Study is not simply a painted flower. Its paper construction turns close looking into a material practice, begun when the artist was already in her seventies.
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Discovery
The third firing that changes the light.
Deruta’s lustre maiolica adds another transformation after the glazed object seems complete. The historical plate is a starting point for understanding a technique still taught and practised.
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Discovery
The steel that was shaped by air.
Oskar Zięta’s NAWA turns inflated steel into a place to walk through. A manufacturing experiment becomes a changing encounter with a city, rather than an object behind glass.
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Discovery
The dress whose structure is its decoration.
Fortuny’s Delphos puts pleating, weight and movement ahead of a rigid silhouette. It remains a useful lesson in how a garment can carry value through the intelligence of its construction.
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Discovery
The material you recognise too late.
Bordalo II’s Half Rabbit makes an animal appear from discarded things on a corner in Gaia. The second look, when the materials become recognisable, is where the work begins.
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Discovery
When the whole book is the work.
The Kelmscott Chaucer makes type, illustration and the printed page inseparable. Its lesson is available through close looking, even when the original is far beyond reach.
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Discovery
A sculpture that takes time.
FLIGHTGRAF’s LOOP makes light move through physical space. Its forthcoming collaboration with HAL ca offers a contemporary reason to think about value that depends on attention rather than possession.
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Discovery
When the irregularities are the point.
Christopher Dresser’s Clutha glass allows colour, streaks and the character of molten material to become the ornament. A small historical object opens a large design question.
Read the noteImage: © Hiroshi Sugimoto / Object © Christian Dior Couture collection, Paris (opens source in a new tab)Discovery
When a dress becomes sculpture.
Hiroshi Sugimoto’s Stylized Sculpture changes how a garment is seen. His 2026 Dior photographs turn historical couture into a study of form, light and human absence.
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Discovery
A forest, folded by hand.
Naoki Onogawa builds tree-like sculptures from tiny folded cranes. Look closely and a familiar silhouette becomes an accumulation of individual acts.
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Discovery
A photograph through someone else’s glass.
For Hikari, Kensaku Kakimoto photographed through glass works by Ritsue Mishima. The glass is not only the subject. It becomes part of how the image is made.
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Discovery
A tractor seat, reconsidered.
The Castiglioni brothers’ Mezzadro moves an agricultural silhouette into the home. Its wit depends on how the parts work together, not simply where the seat came from.
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Discovery
The villa that needed another life.
Villa Empain in Brussels is more than a restored Art Deco interior. Its continuing public life shows what preservation has to do after the photographs are taken.
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Discovery
The factory inside the sculpture.
Jobe Burns’s Laying Vessel carries metalworking knowledge into contemporary sculpture. The contrast between its rusted shell and red interior is only the beginning.
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Discovery
The seam becomes the subject.
A Delvaux Tempête brings Kanazawa leaf work to the joins of a leather bag. The interesting detail is where two craft traditions meet.
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Discovery
A vessel made mostly of air.
Gjertrud Hals’s Scala gives thread a sculptural presence. Open structure, rather than a solid wall, allows the vessels to occupy space.
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Discovery
A theatre that still needs an audience.
Bayreuth’s Margravial Opera House is a remarkable preserved theatre. Its living value becomes clearer when you distinguish looking at the room from hearing a performance in it.
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Discovery
The bag as a craft archive.
LOEWE’s Puzzle 10 makes a decade of experiments in leather visible through one recognisable construction. The interest is in the making, not the anniversary badge.
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Discovery
An old outline with a new surface.
The 2026 Aalto Bubble Vase keeps a familiar contour but changes the way light moves through it. The anniversary is less interesting than the glassmaking.
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Discovery
The handle that closes the pot.
Richard Sapper’s Alessi 9090 makes a familiar coffee ritual slightly different. Its handle is part of the closing mechanism, not just something to hold.
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Discovery
The work behind keeping art.
Rotterdam’s Depot Boijmans Van Beuningen turns art storage into a public encounter. The most important exhibit may be the work that keeps a collection alive.
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Discovery
An ordinary shape, reconsidered.
Cartier’s Juste un Clou turns a nail into jewellery. Its enduring idea is not that gold makes anything valuable, but that proportion can change how we see a familiar object.
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Discovery
The sea, painted in lacquer.
Shibata Zeshin used lacquer for more than the surface of a box. A late panel of breaking waves shows a craft changing the scale of its ambition.
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Discovery
A way of looking that remains.
Derek Jarman’s Prospect Cottage is more than a photogenic black house. Its garden and working rooms show how attention can turn an unlikely setting into a creative world.
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Discovery
The wrist completes the sculpture.
Elsa Peretti’s Bone Cuff makes anatomy part of jewellery design. Its left and right versions are not a minor ordering detail.
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Discovery
The knot made from leather and lacquer.
Nan Wei’s Knot-Loving looks unexpectedly solid. Its red, looping form begins with cow leather, linen and lacquer rather than ceramic or carved stone.
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Discovery
The chair that had to change.
The Panton Chair survived as an idea partly because its material did not stay the same. Its history includes a failure worth understanding.
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Discovery
The cut that becomes light.
A 2026 TOKIMEKI collaboration places Shimadzu Satsuma Kiriko glass above a machined metal base, giving the cut surface a different role in a room.
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Discovery
A meal that asks something back.
Mugaritz’s 2026 season treats familiar assumptions as material to work with. Its appeal is not the promise of a universally pleasing dinner.
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Discovery
The hole in the marble.
Flos Arco puts overhead light where there is no ceiling fitting. Its most revealing detail may be the hole through its heavy marble base.
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Discovery
The space inside the silos.
At Zeitz MOCAA, an extraordinary entrance was carved from a structure designed to hold grain. The old tubes become the starting point for a new public interior.
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Discovery
The glass that catches the light.
Venini’s Tiara Luce uses a quilt-like glass surface to make light tangible. A traditional forming technique becomes something encountered in an ordinary evening.
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Discovery
What remains when the room melts.
At Sweden’s ICEHOTEL, the winter rooms are not meant to survive spring. What continues is the ability to make them, and the experience of inhabiting something temporary.
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Discovery
The bucket you can step inside.
Shuji Nakagawa scaled the logic of a wooden bucket into a tea room. The result asks whether a declining everyday craft can find a larger future without losing its structure.
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Discovery
A film frame becomes a tapestry.
At Aubusson, a scene from Spirited Away becomes a monumental woven image. The unexpected discovery is the new work required when an animated world must be rebuilt in thread.
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Discovery
The pattern that becomes the shape.
A-POC ABLE ISSEY MIYAKE and Nature Architects use engineered shrinkage to turn cloth into a three-dimensional garment. The pattern is not decoration. It helps tell the material what to become.
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Discovery
The wall between velvet and metal.
Levantina brings Tessitura Bevilacqua velvet into Materica’s metal-surface world. Its appeal lies in the friction between two material traditions, not a generic claim of Venetian luxury.
Read the noteImage: Baba Tree Master Weavers × Álvaro Catalán de Ocón / LOEWE Foundation (opens source in a new tab)Discovery
A village woven from above.
Frafra Tapestry turns an aerial reading of a Ghanaian settlement into woven elephant grass. The result is a collaboration between design drawing, architectural memory and the knowledge of named master weavers.
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Discovery
The flowers were made for learning.
Harvard’s Glass Flowers are not merely convincing ornaments. Leopold and Rudolf Blaschka made botanical models that could keep a plant’s structure available for study after its flowering season had passed.
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Discovery
A cabinet that opens like a trunk.
Poltrona Frau’s Isidoro Ultime Notizie combines a drinks cabinet with the opening gesture of luggage. Fornasetti’s newspaper-and-butterfly imagery adds a second transformation, making leather resemble paper.
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Discovery
Crystal that carries handwriting.
Harry Nuriev’s 2026 Baccarat collection interrupts the formality of cut crystal with words and drawn gestures. The encounter is worth reading through the actual workshop processes, not the collaboration label alone.
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Discovery
The pattern is the joinery.
Tanihata’s kumiko screens make a geometric pattern from fitted pieces of wood rather than a surface decoration. Light passes through the result, making an old joining skill useful in contemporary rooms.
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Discovery
The water that makes you stay.
At Teshima Art Museum, water emerges from the floor beneath a low concrete shell. Rei Naito and Ryue Nishizawa make an encounter that cannot be reduced to the object you came to see.
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Discovery
A circle inside another century.
The Bourse de Commerce in Paris keeps its historical envelope while making room for a contemporary collection. The new intervention is interesting because it makes the older building more visible, not less.
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Discovery
The colour is in the clay.
Wedgwood’s jasperware can look familiar enough to escape a second glance. Its more surprising story begins beneath the white relief, in an experimental ceramic body rather than painted blue decoration.
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Discovery
The art that leaves its room.
At teamLab Borderless in Tokyo, works can move between spaces and meet other works. The worthwhile question is not how many photographs a visit produces, but how an environment changes the act of exploring.
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Discovery
Clay that keeps the pressure visible.
Kunimasa Aoki’s Realm of Living Things 19 looks almost geological. Its layered terracotta makes pressure, shrinkage and the risk of firing part of the finished sculpture rather than defects to erase.
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Discovery
When the sky is no longer background.
James Turrell’s Skyspace Lech makes a familiar subject unexpectedly strange. A framed opening, changing light and the time you choose to sit there turn looking at the sky into an encounter.
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Discovery
The colour is already in the stone.
In commesso fiorentino, a vein in a stone can become fur, a petal or a distant hill. The surprising art is not painting on minerals, but finding the picture within them and fitting its pieces together.
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Discovery
Porcelain with the memory of paper.
Jongjin Park’s Strata of Illusion won the 2026 LOEWE FOUNDATION Craft Prize. Its chair-like form begins with layered paper and porcelain slip, then lets the kiln alter the architecture.
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Discovery
A bridge you walk through for art.
At Kistefos in Norway, BIG’s The Twist is both crossing and gallery. A ninety-degree turn makes wall, ceiling and riverbank part of the same architectural question.
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Discovery
A necklace of very small paintings.
Graziano Visintin’s Collier brings gold and dark niello into a sequence of tiny cubes. Recognised in 2026, the work asks you to read a necklace as composition rather than metal weight.
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Discovery
The dance still being made.
René Lalique’s Bacchantes began in 1927 and remains a living design. The revealing part is how a ring of figures moves between mould, handwork, satin surface and light.
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Discovery
An art collection you can spend the night in.
The Fife Arms in Braemar brings contemporary art into a former Scottish coaching inn. The interesting encounter is not a celebrity guest list, but the possibility of living briefly alongside works rather than filing past them.
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Discovery
The record player that became an instrument.
The Technics SL-1200MK2 puts musical time under the hand. A machine intended to reproduce records became a tool for making something new from them.
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Discovery
The road graphics you can carry.
A FREITAG tarpaulin bag turns a fragment of transport graphics into an everyday object. The cut matters as much as the material’s previous life.
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Discovery
The blue pottery that starts with quartz.
Jaipur blue pottery begins with a surprising material recipe. Beneath the painted surface is a quartz-rich body and a sequence of skilled decisions worth knowing.
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Discovery
The jug with another morning in it.
Erik Magnussen’s Stelton EM77 makes a simple serving gesture distinctive. A replaceable glass insert gives the familiar cylinder another practical reason to stay.
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Discovery
The aperitif without a paper label.
Campari Soda hides a piece of design history in an ordinary aperitif. Fortunato Depero’s tapered bottle makes the container part of the encounter rather than a disposable graphic wrapper.
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Discovery
The same boats in a different light.
Hiroshi Yoshida’s Sailing Boats changes atmosphere without abandoning its subject. Reusing woodblocks with different colours reveals how much of a place is made by light.
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Discovery
The museum you borrow a key to.
In Giornico, La Congiunta begins with a key collected from a local osteria. A small concrete museum gives architecture, sculpture and the visitor’s own attention an unusually direct relationship.
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Discovery
The sculpture that lights a room.
Isamu Noguchi’s Akari gives paper, bamboo and light a sculptural life at home. A working lantern-making tradition keeps the idea connected to everyday use.
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Discovery
The courtyard between the laboratories.
At the Salk Institute, Louis Kahn placed a remarkable open court between working laboratories. Its value is more than a view towards the Pacific: a place for science that also makes room for thought.
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Discovery
The coupé that made room.
The Volvo 1800ES extended a sporting silhouette into a small estate. Its glass rear end makes an enduring design question unusually clear: can a desirable car also carry a little more of life?
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Discovery
The kiln that makes the surface.
Bizen pottery offers another way to read a vessel. Clay and firing can create a complex surface without applied glaze, making the kiln part of the work rather than just its final destination.
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Discovery
The case that turns the question around.
The Jaeger-LeCoultre Reverso begins with a physical gesture: turning the case. A protective idea from 1931 became a continuing design language, with very different watches inside it.
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Discovery
The picture before the paper.
In ebru, a picture takes shape on a prepared liquid surface before it reaches paper. The lasting object preserves a fleeting arrangement and the knowledge that allowed it to happen.
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Discovery
The mosaic you learn to see.
A five-day mosaic course in Ravenna turns looking into making. Cutting and placing a small piece of glass can change how a visitor reads an entire wall.
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Discovery
A house built for daily life.
Villa Necchi Campiglio pairs Milanese architectural presence with lifts, service routes and a private pool. Its most revealing details concern how a house actually worked.
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Discovery
The lines that meet the strap.
On a Cartier Tank, the long sides of the case continue towards the strap. That small structural decision is a better place to begin than a list of famous wearers.
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Discovery
A world carved in copal.
Jacobo and María Ángeles’ workshop turns copal wood into tonas and nahuales. Carving, painted pattern and shared knowledge make the work more than a colourful animal.
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Discovery
The engine in the silhouette.
The original Moto Guzzi V7 Sport puts its engine at the centre of a spare, recognisable form. Understanding which V7 Sport matters more than repeating the model name.
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Discovery
The gem that began as wood.
Jet opens an unexpected route into jewellery: a material with a history in ancient wood. Whitby’s museum explains why a black surface alone tells a buyer very little.
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Discovery
The living world on a printed page.
Maria Sibylla Merian’s 1705 Suriname book brings plants and insects into a shared visual world. A public-domain plate makes close study possible without owning an early edition.
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Discovery
A headphone with parts to replace.
The Sennheiser HD 600 is interesting not only for listening. Its replaceable pads and cable give an owner specific questions about keeping it in use.
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Discovery
A plate worth looking at.
Uriarte’s bird plate is a modest entry into Puebla’s Talavera tradition. A current object can open a larger conversation about clay, painting and certification.
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Discovery
The seal between mornings.
The familiar Moka Express keeps its place through use. A replaceable gasket and filter make its maintenance easier to understand.
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Discovery
The building that keeps its ruins.
Peter Zumthor’s Kolumba does not clear away the history beneath it. The museum lets visitors move among the remains and the new building.
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Discovery
The movement beneath the dial.
The NOMOS Tangente 33 champagne, reference 151, pairs a small, legible case with a named hand-wound movement and an identifiable service route.
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Discovery
The sculpture that held a cord.
Masakazu’s small wooden monkey in The Met is a reminder that a netsuke began with a job. Function and invention can fit in one hand.
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Discovery
The type you can rearrange.
A two-day Center for Book Arts workshop turns wood type into prints that participants exchange and remake. The encounter leaves a method, not only a souvenir.
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Discovery
Furniture that can change its mind.
The useful part of USM Haller is what happens when the room changes. A familiar storage system can be configured for another chapter.
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Discovery
A house designed down to the light.
At Maison Louis Carré, the furniture, materials, rooms and landscape belong to one conversation. It remains a place a visitor can study.
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Discovery
The doll whose head has a voice.
A Naruko kokeshi is turned, fitted and painted by a maker. The small sound at its neck hints at a whole craft tradition.
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Discovery
The silver is not the whole story.
In Bidriware, silver becomes luminous because of the dark metal around it. The making changes the way an object is read.
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Discovery
A pen for the next bottle of ink.
The Pelikan M800 makes refilling part of the object. The interesting question is not how impressive a pen looks, but what keeps it in your hand.
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Discovery
When a house remembers a garden.
At Casa Vicens, flowers and palm leaves become tile and iron. Gaudí’s early house offers a more concrete lesson than the word iconic.
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Discovery
The detail that earned its place.
The familiar pockets of Levi’s 501 jeans contain a history of practical revisions. Recognising it makes a better starting point than chasing a vintage label.
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Discovery
The blue begins in black.
At Royal Delft, a painter works in black and the kiln brings out the blue. The process helps you distinguish a hand-painted object from a familiar-looking surface.
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Discovery
An old keyboard with new sounds left.
The Yamaha DX7 is often treated as the sound of the 1980s. Its more enduring idea is that a familiar machine can still be a place to invent.
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Discovery
A mill that kept a place alive.
Saltaire is more than a handsome mill. Its buildings show how a place can retain its identity while making room for entirely different work.
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Discovery
The object is only half the art.
A wayang kulit puppet is made to move, cast a shadow and carry a voice. Its cultural value cannot be separated from the people who bring it to life.
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Discovery
A machine for a first draft.
The Olivetti Lettera 22 makes writing a physical sequence of decisions. Its design history matters, but a working keyboard matters more.
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Discovery
A house that changes with the day.
At the Rietveld Schröder House, moving a wall changes the relationship between privacy and shared life. The radical part is still useful.
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Discovery
The gear change is part of the story.
The Vespa PX is more than an Italian silhouette. Its manual controls and steel body give a familiar form a specific mechanical identity.
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Discovery
A pattern with an afterlife.
William Morris’s Strawberry Thief travels easily between an archive and everyday life. The important distinction is between the age of a design and the age of an object.
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Discovery
The value of a used tool.
An Opinel No.6 makes a modest proposition: useful material, a legible mechanism and a blade whose life depends on care.
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Discovery
A building that shows its work.
A century after its 1926 opening, the Bauhaus Building in Dessau is still a useful place to ask how an institution makes its ideas visible.
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Discovery
Another kind of watch value.
The Casio G-SHOCK GW-M5610 makes a strong case for looking at what a watch does before asking what anyone else thinks of it.
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Discovery
The print is not just the image.
Piranesi’s imaginary prisons turn a sheet of paper into an impossible interior. They also teach a precise distinction between an image, a print and its state.
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Discovery
A lamp with a lifetime route back.
The Anglepoise Original 1227 connects a familiar silhouette to something less visible: a way to keep it working.
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Discovery
A factory that learned to make public life.
At Sesc Pompeia in São Paulo, Lina Bo Bardi made an existing industrial structure useful to an entirely different kind of city life.
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The bicycle that travels between journeys.
The Brompton C Line makes a persuasive case for judging a vehicle by what happens when you stop riding it.
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Discovery
Come home knowing what a pot asks of you.
An adult throwing course at the Leach Pottery in St Ives offers something more durable than a souvenir: a different understanding of the handmade.
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Discovery
The Citroën DS still asks a different question.
The DS made comfort an engineering ambition. A surviving example only keeps that promise when the less photogenic work has been done.
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Discovery
Pleats that give the body room.
Pleats Please Issey Miyake made a manufacturing decision into a different relationship between clothing, movement and everyday care.
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Discovery
The Great Wave, made again by hand.
An Adachi reproduction of Hokusai’s Great Wave offers an honest route to owning the work of living carvers and printers, without pretending it is an Edo-period impression.
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Discovery
Namiki: a surface worth slowing down for.
Namiki’s vermilion No.20 turns an everyday gesture into an encounter with Japanese lacquer.
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Discovery
A jewel designed to need one pair of hands.
Hemmerle’s Harmony begins with a practical gesture, then makes room for extraordinary material combinations.
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Discovery
A small field that moves to music.
Real wheat, gold leaf and a mechanical musical movement make an unexpected contemporary automaton.
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The tool that can give other things a future.
A bronze smoothing plane earns its place through the surfaces it makes and the skill it invites.
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Discovery
A sculpture you play with wet fingers.
The Cristal Baschet makes the boundary between musical instrument and sculpture feel surprisingly unnecessary.
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Discovery
Turn the world the other way up.
A handmade globe makes the familiar map strange again, without changing the planet.
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Discovery
The detail at the bottom of the glass.
Adolf Loos’s 1931 glassware hides its most elaborate work where you might least expect it.
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The bottle after the perfume.
Perfumer H separates the life of a fragrance from the life of the vessel that holds it.
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Discovery
The back that kept the camera useful.
Hasselblad’s CFV 100C gives a classic V System camera a serious digital future without erasing what made it distinct.
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Discovery
A different idea of a bicycle.
The Moulton NS D-Pylon makes compact wheels, suspension and a separable frame part of one enduring engineering idea.
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On the calendar
Light held in lacquer.
Keiji Onihira’s small makie box makes a changing natural scene visible through layers of lacquer and metal powder.
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Discovery
The landscape inside a scarf.
Kermit Oliver’s Madison Avenue scarf shows how an authored image can matter more than the familiar luxury name around it.
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Discovery
A home woven into a wall.
The Frafra Tapestry project translates a family compound in northern Ghana into a work woven by the people who know its spaces.
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Discovery
Precious without precious metal.
A pair of JAR earrings turns aluminium into a lesson about authorship, provenance and the limits of material value.
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Discovery
The chair with an order card.
A Nakashima chair invites two kinds of looking: at the wood itself, and at the record of its making.
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Discovery
A house designed around a life.
At E-1027, Eileen Gray made furniture, privacy and the movement of daily life part of the architecture.
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Discovery
The woman behind the Wisteria lamp.
Clara Driscoll’s design offers a more precise way to see one of Tiffany Studios’ most recognisable lamps.
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Discovery
The silk that remembers.
A damaged Fortuny Delphos gown has recovered its extraordinary pleats. The repair reveals how much knowledge can live inside a surface.
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Discovery
A clock wound by the room.
The Jaeger-LeCoultre Atmos draws energy from small changes in temperature. In 2026, an old mechanism becomes a new object of art.
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On the calendar
What a bowl can hold.
More than 200 works bring Lucie Rie and Hans Coper back into the same rooms. A chance to learn how two quiet forms changed British ceramics.
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Discovery
A perfume with more than one life.
Guerlain’s Mitsouko began in 1919 and now exists through new bottles, materials and interpretations. Continuity in perfume is never as simple as an old name.
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Discovery
The camera built around a mount.
The Leica M3 arrived in 1954 with a new bayonet mount and rangefinder system. Its lasting importance lives in a working ecosystem, not a shelf.
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Discovery
The stool built from one bend.
Alvar Aalto’s Stool 60 has stayed in production since 1933 with three legs, a round seat and one structural idea worth repeating.
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Discovery
A palace inside an egg.
A gold palace, down to its cannons and trees, inside an egg just 12.7 centimetres high. What makes this Fabergé more than its precious materials?
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Discovery
The motorcycle shaped in the rain.
With the Ducati 916, Massimo Tamburini made performance and proportion difficult to separate. The story begins with looking closely.
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Discovery
A system that can follow you.
A shelf, a workspace, a different home. Dieter Rams’s 606 system makes the ability to change part of what you buy.
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Discovery
When a jewel becomes a creature.
René Lalique’s dragonfly-woman makes a jewel feel closer to a small, unsettling work of theatre than a display of precious stones.
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