Clocks & Watchmaking
A clock wound by the room.
The Jaeger-LeCoultre Atmos draws energy from small changes in temperature. In 2026, an old mechanism becomes a new object of art.
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413 stories · Page 32 of 35
Clocks & Watchmaking
The Jaeger-LeCoultre Atmos draws energy from small changes in temperature. In 2026, an old mechanism becomes a new object of art.
Ceramics
More than 200 works bring Lucie Rie and Hans Coper back into the same rooms. A chance to learn how two quiet forms changed British ceramics.
Jewellery & Gemology
A conch pearl can carry a silky pattern that looks like fire beneath porcelain. The closer lesson is why beauty still needs a laboratory.
Historic Sports Cars
The 2000GT changed what a Japanese sports car could mean. Its WHV case combines a small production run, technical ambition and an unusual route back to genuine parts.
Spirits & Cellaring
Chartreuse V.E.P. begins with the familiar green liqueur and gives selected liquid much longer in wood. A bottle where time needs careful reading.
Rare Books
Darwin’s Origin of Species appeared in 1859. So did copies that are not the first edition. The book teaches us how bibliographic evidence works.
Vineyards & Ownership
Michael Baum and Julie Carabello acquired Château de Pommard in 2014. The interesting investment question begins after the purchase.
Historic Motorcycles
A 1952 Vincent Black Shadow carries matching numbers, a restoration file and four-owner history. The model name is only the first line.
Sound & Components
Western Electric still makes the 300B electron tube. A component from 1938 asks what real continuity in audio manufacturing looks like.
Alternative Assets
In 1997, future royalties from David Bowie’s existing songs became the cash flow behind a bond. The idea is stranger and more useful than the nickname.
The 2025 Porsche 911 GT3 with Touring package is desirable for what it removes as much as for what it keeps. That still does not make depreciation predictable.
Places & Experiences
Fogo Island Inn turns a remarkable building into a harder question: how much value remains in the place that creates the experience?