DISCOVERY / Ceramics & Collections
Magdalene Odundo, where the vessel’s profile turns.
An Untitled Vessel from 1988 gives the neck, shoulder and open rim different jobs in one continuous form.
Image: Oxford Ceramics GalleryPublished 4 November 2026 · WHV
Oxford Ceramics Gallery records the 1988 vessel as forty-two centimetres high. Start by following the change from the swelling lower body into the long neck. Then look at the lip and the way it opens. Each part changes how the next one is perceived.
The surface gives those changes a second reading. A highlight follows the rounded body and tightens across the shoulder. The gallery’s different views are worth comparing for that reason. A single silhouette explains the shape only from one position.
If considering a work by Odundo, record its exact dimensions, date, provenance and condition. Ask for views of the rim, base and surface under ordinary light. Auction results for other vessels describe those individual objects and need context before they can tell you anything about this one.
Evidence & sources.
- Oxford Ceramics Gallery, Untitled Vessel, 1988 (opens source in a new tab)
- Sotheby’s, Odundo’s vessel forms and process (opens source in a new tab)
Scope of this reading
The gallery photographs identify an Untitled Vessel dated 1988. They do not establish current availability, condition or value.
Sources checked 4 November 2026.
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