DISCOVERY / Ceramics & Surface

Alev Ebüzziya Siesbye, when the surface changes.

A white-gold bowl gives a new way to read a form the artist has refined over decades.

The Salon 94 photograph documents the 2024 Untitled work in ceramic and white gold.

Published 4 November 2026 · WHV

Salon 94 records this Untitled work from 2024 in ceramic and white gold. Begin with the opening, then let your eye move down the outside. The metallic surface changes how easily you can read the transition from rim to body, especially when the light moves across it.

The gallery’s account of Vibrations places gilded vessels beside brightly coloured bowls. It also credits Marta Darowska for gilding work on the exhibition group. That collaboration is a useful way to understand how a new surface can extend a practice built around a familiar form.

Ask to see the precise work under more than one light. If considering a piece, ask for a condition report and guidance on handling, cleaning and display. The surface deserves to be documented in its own right.

Evidence & sources.

  1. Salon 94, Untitled in ceramic and white gold (opens source in a new tab)
  2. Salon 94, Vibrations exhibition notes (opens source in a new tab)

Scope of this reading

The image identifies a specific ceramic and white-gold work in the gallery’s record. Availability and condition require a separate enquiry.

Sources checked 4 November 2026.

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